The Process of Creating a Bronze Sculpture

Carola Orieta-Sperman, Chrysalis, , available on Artsper

From Auguste Rodin to Louise Bourgeois, bronze sculpture has never ceased to transcend art. But what are the stages of creation of these enduring and timeless works? Today, Artsper invites you to discover the fascinating and ancient process of creating bronze sculptures!

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Step 1: making the model a bronze sculpture

The first step in making a bronze sculpture is to create a model. This model can be in clay, plaster, clay or resin. The next step is to make a mold of this sculpture in two parts and cover it with elastomer, a rubber-like substance. Once the mold is finished, then comes the stamping stage. Using a brush, the molten modeling wax is spread inside the two parts of the mold.

Once the excess wax is removed, it is important to close the two parts of the mold together. They must be very well welded, since the following step is to fill the mold to the brim with liquid wax. After about 30 seconds, you have to empty all the excess wax and wait for it to cool down. Once dry, it is time to reopen the mold by separating the two parts again. The wax model &#; also called a proof &#; is finally made, with an ideal thickness of about 3 millimeters.  It is often preferable to carry out a &#;wax check&#; with a few touch-ups with a scalpel.

Laurent Perbos, Niobé, , available on Artsper

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Step 2: creating a network and making the pot mold

Then comes the creation of a supply and evacuation network on the wax model. It consists of a pouring funnel and a vent. Attached to the model, they allow the evacuation of the molten wax and air. The network also opens a passage adapted to the pouring of the liquid bronze. Finally, the model can be filled with refractory plaster to form its central core. In order to hold it in place, a few nails are then driven into the wax layer. The last phase of this process is the constitution of the pot mold. This is done by spraying, then spreading refractory plaster over the entire work. Once this step is complete, the mold looks like a large, uniform block of plaster. Only the ends of the evacuation network protrude.

Adeline Weber Guibal, Life Circle, , available on Artsper

Step 3: firing and casting of the bronze

The next part is the step-by-step firing, carried out by a foundry-man. It is usually done during two days and three nights, in a furnace that can reach 900 degrees Celsius. The process is as follows: the heat melts the wax, which becomes liquid again and gradually drains from the mold. The mold is then cooled, turned upside down and held in place with a sand-filled tray. It will finally be filled with bronze, whose melting temperature is around degrees Celsius.

Salvador Dali, Profil du temps, , available on Artsper

Step 4: Chiseling, finishing, patina and the signing of the bronze sculpture

Once the molten metal has cooled, after several hours it becomes solid. Now is the time to break the mold, to finally discover the solid sculpture of bronze!  It is still attached to its network, so that must be removed, as well as any remaining nails. Then comes the delicate stage called chasing, which consists of making the bronze sculpture identical to the first model. Once the polishing, sanding and finishing are done, we obtain a beautiful sculpture with bronze colors.

The next step is the patina, which protects the work from oxidation and gives it a certain color. Often done with a flashlight and a brush, the patina offers a wide choice of colors and renderings. Following its application, it will be necessary to wait for several days, even weeks, so that the patina dries completely. Then comes the final part: the part that makes the work unique. It is the inscription of the number of the casting, the stamp of the founder, the year of casting, and of course&#; the signature of the artist!

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Chloé Sontrop, Liberté, , available on Artsper

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Bronze sculpture works to last a lifetime

With a creative process that is close to the work of an alchemist, bronze sculpture has seduced civilizations spanning the centuries. In spite of the sometimes very different creations, one approach remains constant in its realization: the search for an aesthetic ideal. And it is this dimension &#; transcending time and space &#; that gives each bronze sculpture a glimpse of eternity.

&#;I love the fact that a fingerprint left in the clay original comes through into the bronze. I take full advantage of the technical capabilities of a good foundry.&#; (Hamish Mackie)

He has a 20-year history of working with this foundry building a crucial relationship between sculptor and founder; together rising to various technical challenges, from casting intricate feather detail to a life-size cheetah supported on one leg. Whatever the sculpture, the finish is always of museum quality.

&#;You sculpt what you want and we&#;ll work out how to cast it.&#; (Simon Allison &#; Lockbund Sculpture Foundry)

Bronze&#;s tensile strength allows compositions with minimal supports, unthinkable in materials such as marble, wax and plaster from which sculptures are initially created. This results in tactile bronze sculptures that will last many centuries.

Bronze sculptures are made by pouring molten bronze into a ceramic investment &#; known as the &#;Cire Perdue&#; or &#;Lost wax&#; Method. The same technique dates back years. The skill of transforming one material into another is to preserve all of the detail of the original.

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